This surface noise is not applied to the mesh unless you want it to be, this allows you to remove or modify it as you want. To see on your mesh, you just have to press OK. You can apply a mask to protect the areas where you don't want the noise. We just want to break up the surface a little, so let's use the Perlin noise, it has several parameters that can be adjusted but we will stick to changing the Alpha size and the Strength. Any changes you make will appear in real-time on the NoiseMaker preview window. You want to open the NoiseMaker interface – Tool > Surface > Noise > NoisePlug-In, this brings up a window where you can edit the noise settings. Let's start by creating some noise on the skin surface because at the moment it is a bit too clean. Now that we have the shape and proportions of the character finalized it is time to add some details. You can buy ZBrush from the Pixologic website. We will try different approaches in order to get the best result in the fastest and easiest way.
In this part we will look at taking the next step in bringing your character to life by adding color, texture, and details. Welcome to part two of the Know the Basics: ZBrush tutorial series. In part two he shows you how to texture your model. Ricardo Manso teaches the must-know basics for any beginner starting ZBrush.
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