(Or “getting fat and growing my own food,” as she puts it.)įrom that point, all bets are off. Until, that is, the series blows its entire premise up within its very first episode, revealing that Madalena doesn’t particularly need saving, having decided being a rich queen is probably a lot more fun than returning to a life of grinding poverty and having a baby every other year.
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It all feels very cliche and fairly predictable, a sort of wannabe The Princess Bride only with more snark and an actual, open acknowledgment of sex.
A brave and dashing knight, Galavant begins the series on a quest to rescue his beloved Madelena (Mallory Jansen) from the clutches of the evil King Richard (Timothy Omundson), who has kidnapped her. Galavant followed the story of the titular hero of the same name (played by a very charming Joshua Sasse). While the sheer audacity of this thing was truly unmatched, it’s easy to see how the show might have struggled to find an audience. A half-hour series that, on paper, essentially sounds like a drug-induced hallucination, this medieval-set fever dream featured everything from horny knights and tiny lizards who might be dragons to musical interludes that mercilessly skewered both its own premise and the Disney Princess Industrial Complex, and it all aired on a network the Mouse itself owned. If you completely missed the proverbial boat on ABC’s 2015 musical comedy Galavant, well, just trust that you weren’t the only one.
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